Somewhere around Thanksgiving I start to feel uneasy about Christmas and my increasing lack of connectedness to it. The relentless bombardment of advertising for endless sales feels like psychological warfare, an assault reinforced by the inescapable ambient noise of tinny carols. I worry about people who do not have much, the financial pressure they live with all year mounting to a crescendo at Christmastime. My heart is always with addicts and people suffering from mental illness and those who love them. Christmas does not necessarily bring a break in abusive situations. Holidays can be stressful for so many.
Yet somehow, some way, the wily wonder of Christmas will woo me.
This year I am awed as I follow the Facebook page of a friend of a friend, parents who have a two-year-old battling cancer. Their courage, faith and strength make me marvel anew at the boundless capacity of love.
My colleague routinely updates us on a refugee Afghani family he and his congregation are journeying with: finding them an apartment, taking them to medical exams, lining up ESOL classes and helping to find employment, welcoming the stranger.
On a favorite annual trip with friends to Old Ebbitt Grill in Washington, DC, we are delayed for a moment by a homeless man selling copies of his book, Homeless Lives Matter. Indeed, they do. After a delightful hour or so inside, as we prepare to leave, one of my friends witnesses the bartender refusing another homeless man’s money, handing him a beer on the house, restoring my faith in the generous, compassionate heart. Everyone deserves dignity.
I love decorated trees, the smell of holly and greens. I am enchanted by the lights that deck the streets, the halls and just about everything in sight. I relish traditions with friends and family. And I confess I cannot make it through a verse of Silent Night without crying. It’s not Christmas I am not connected to–it’s the commercialization of it. But I should know better by now; wonder cannot be short-circuited or smothered.
My favorite Christmas poem is Howard Thurman’s The Work of Christmas. May we all know the wonder and light of this season and remember the work of it always.
The Work of Christmas
by Howard Thurman
When the song of the angels is stilled,
When the star in the sky is gone,
When the kings and the princes are home,
When the shepherds are back with their flock,
The work of Christmas begins:
To find the lost,
To heal the broken,
To feed the hungry,
To release the prisoner,
To rebuild the nations,
To bring peace among brothers,
To make music in the heart.

On the eve of Thanksgiving here in the States, naturally I am thinking of gratitude. That said, gratitude is not just for Thanksgiving. Many people have a daily gratitude practice, either journaling what they are grateful for or taking time to reflect on gratitude. This practice is said to have numerous profound benefits, including making us happier, healthier, more spiritual and better sleepers. For a complete list, visit
Growing up in the Midwest, I learned at a young age that eerie outdoor silence is nature’s harbinger of severe weather–calm before the storm. The wind might kick up a little, but the birds and animals are keeping quiet vigil in their safe houses. Recent events have me asking myself, why didn’t I hear the silence before the storms?
Many of John Kingham’s words give me pause. We live in vastly different worlds, he and I; John is an inmate locked up in Florida, while I am living freely in New Jersey, too often taking for granted the privileges that come with my freedom.
When inspiration and creativity seem like close friends who have moved far away, my world can get a little gray. I’ve learned, however, I will eventually find my way out of the Chinese box through art in one of its many forms. After five episodes of David Gelb’s captivating series, “Chef’s Table,” I can feel my close friends returning. Gelb profiles some of the most renowned chefs in the world who share wonderful life lessons garnered on their journeys to becoming who they are–not necessarily new lessons–but refreshing reminders with a twist from world-class chefs. You do not have to be a foodie to appreciate what’s being served here.
that growth does not take place on a secure path, hence there is a willingness to take risks and to reinvent and change course in order to succeed. Dedication, perseverance and being true to oneself are common themes among these master chefs who create dishes that not only look like works of art but carry appellations like the Industrious Beet, and King George Whiting in Paperbark, and Oops! I Dropped the Lemon Tart.
Stating the obvious, creativity is more than a required riff among these chefs. It is the essence of everything they are doing. They draw inspiration from other art. There is talk of cooking being soulful, as well as rooted in childhood experiences and memories, evoking scent, flavor and comfort from those years. The chefs strive to create unforgettable, unparalleled experiences for their guests, conjuring magic in explosions of joy and flavor.
I write this the day after another terrorist attack in London that left seven dead and over 40 injured. The country has not had time to heal from the Manchester bombing a few short weeks ago. On the way home this morning I listened to a discussion on the radio about the racially motivated stabbing attacks on a train in Portland, Oregon. The two men who tried to intervene were murdered. It’s three days since President Trump decided to withdraw from the Paris Climate Change agreement.
For many years now I have walked through the woods on the cliff along a dirt path to a clearing near the George Washington Bridge where the view turns decidedly urban. To the south is the Manhattan skyline—inviting, intimidating, energizing and enervating all at once. The bridge itself is also impressive. About 500 feet shy of a mile, the double-decker, 14 lane suspension bridge carries over 100 million vehicles a year. From my perch at the west side of the GWB, I can see many of those cars and trucks crossing.
Though relatively mild, this past winter seemed particularly long. There was much tussling with unwelcome thoughts and feelings, and I found myself a bit desperate for distractions from my jagged, dark edges. Up cropped a familiar longing to flee and the just as familiar resignation that there is nowhere to run from yourself. But a gal can try, can’t she? Let the great escape begin!
The Cloisters Museum and Gardens is a branch of the Metropolitan Museum of Art devoted to medieval art and architecture. In addition to the gardens, one of their most popular permanent exhibits is The Hunt of the Unicorn tapestries, consisting of seven large tapestries woven in the late 15th/early 16th century. They depict a hunt which ends with the precious unicorn in captivity. The unicorn is a legendary creature said to have been endowed with magical powers such as the ability to purify water and heal sickness.
On Sunday I found a bird in the backyard trying to fly but caught in something that kept pulling her back to the ground. Initially it looked like fishing line, but when I got closer I could see it was some sort of vine, dry but very strong. I got some scissors to cut her free, but she was so frightened she kept trying to lift-off, and I was unable to cut as close to her foot as I would have liked. Still, I got the vine cut and on her first attempt she hopped-flew just a short distance, so I tried to get closer again, but then she took flight, trailing six inches of vine still wrapped on her leg.